Bad Taste

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On the joys of being evil in Disney’s Cruella
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Fashion, excess and cocaine decor in Netflix’s Halston
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On Olivia Laing‘s Everybody: A Book About Freedom
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On Saint Laurent's invocation of the indie-disco
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On writing the dead back to life with Rachel Kushner
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On fame, fandom and artifice in Sam McKinniss’s Country Western
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On Netflix's Madame Claude
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On the science of desire in Netflix’s The One and Katherine Angel’s Tomorrow Sex Will Be Good Again
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On Annie Ernaux’s Simple Passion
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On sadness and wildness in Lana Del Rey’s new record
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On Lauren Oyler’s Fake Accounts (and a little on Roisin Kiberd's The Disconnect)
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On Adam Curtis's Can't Get You Out of My Head
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© 2022 Rosa Abbott
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